The band engaged in a three-year touring whirlwind across North America, Japan, South Korea, Manila and South America beginning in 2010.Ģ013 saw TFF return with their first recorded music in a decade: a cover of Arcade Fire’s “Ready to Start.” The band returned once more in 2017 with the “Rule The World” best-of collection, which once more catapulted the band back to the upper echelon of the U.K. Slant dubbed it one of “The Best Albums of the 1980s.” It was featured in the book “1001 Albums You Must Hear Before You Die,” and Consequence of Sound awarded it a rare A+ rating in a 20-year retrospective.ġ989’s “Seeds of Love” proved to be Orzabal and Smith’s last collaboration together until “Everybody Loves A Happy Ending” in 2004, which rekindled the creative fire between them. Boasting the signature BRIT Award-winning “Everybody Wants to Rule the World,” “Shout,” “Head over Heels,” “Mothers Talk” and “I Believe (A Soulful Re-Recording),” it went quintuple-Platinum and No. 1985’s “Songs from the Big Chair” became a watershed moment for the group and music at large. Their 1983 debut, “The Hurting,” yielded anthems such as “Mad World,” “Change” and “Pale Shelter,” reaching RIAA Gold status in the U.S. Tears For Fears – Orzabal (vocals, guitar, keyboards) and Smith (vocals, bass, keyboards) – formed in Bath, England, in 1981. With 30 million albums sold worldwide, performing to countless sold-out audiences, and winning various awards, the band represent an inimitable intersection of pop palatability, clever and cognizant lyricism, guitar bombast, and new wave innovation. For tickets and more information, visit the band's website here. These dates will mark the band’s first U.S. Kicking off in Cincinnati on May 20, 2022, these dates will see the band performing in more than 20 cities across North America before capping off with their last show in Wantagh on June 25. In November, the band announced “The Tipping Point World Tour,” with support from Garbage on the U.S. Inspired by Koyaanisqatsi, the “No Small Thing” music video was made using solely found footage showing the conflict between individual freedoms and collective responsibility. The fact that we felt confident enough to go from there to the end of the song to where it’s just absolute mayhem speaks to that sense of freedom, and that’s our comfort zone musically.” Smith added, “ ‘No Small Thing’ feels like it could have been a song from a ’70s or ’60s acoustic folk album with how the track starts. ‘No Small Thing’ was the key – the thing that turned a red light green.” It was at this point that the whole album started opening up.
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We felt suddenly unencumbered, free if you like, no longer worrying about the market, about success, but drawing on influences from our childhoods. It was the complete opposite of what we had been trying to do for many years – searching for the elusive, modern hit single. Curt came up with this simple folk/country riff, a little bit Dylan, a little bit Johnny Cash, and then we were off. We were literally going back to the drawing board looking for some depth, heart and soul with which to complete our album. We needed a meeting of minds, a coming together psychically. Orzabal said, “In early 2020, Curt and I sat down together with just a couple of acoustic guitars. Written by both band members, Roland Orzabal and Curt Smith, the guitar strums pull listeners in with their folk-like tone, but slowly morph into controlled chaos, as the singers push the song’s sonics as far as they can go.įans can listen to “No Small Thing” here and preorder “The Tipping Point” here. On Friday, iconic British duo Tears For Fears released “No Small Thing,” the second single off their anticipated first studio album in 17 years, “The Tipping Point” (arriving Feb. √ ‘The Tipping Point World Tour’ begins in May √ First new album in 17 years, ‘The Tipping Point,’ arriving Feb.